Ableton Live9 Ableton Live 9 (Suite 9)
Ableton
Live9 Ableton Live 9 (Suite 9)
197sound is registered.
| 1 | evolution of plankton 7 | 4:44 |
|---|---|---|
| 2 | nord drum 3P <- Spiral Modified (Cadence experiment 6, automatic creation) | 2:14 |
| 3 | evolution of plankton 6 | 4:59 |
| 4 | evolution of plankton 5 | 1:22 |
| 5 | nord drum 3P <- Spiral Modified (Cadence experiment 5) | 2:16 |
| 6 | nord drum 3P <- Spiral Modified (Cadence experiment 4) | 4:49 |
| 7 | nord drum 3P <- Spiral Modified (Cadence experiment 3, tension) | 3:30 |
| 8 | evolution of plankton 4 | 2:15 |
| 9 | nord drum 3P <- Spiral Modified (Cadence experiment 2, misconnection) | 6:40 |
| 10 | nord drum 3P <- Spiral Modified (Cadence experiment 1) | 5:30 |
| 11 | evolution of plankton 3 | 2:56 |
| 12 | evolution of plankton 2 | 4:32 |
| 13 | evolution of plankton 1 | 4:10 |
| 14 | Red Tide | 4:00 |
| 15 | nord drum 3P <- Spiral Modified (MIDI CC added - take4) | 5:03 |
| 16 | nord drum 3P <- Spiral Modified (MIDI CC added - take3) | 3:44 |
| 17 | nord drum 3P <- Spiral Modified (MIDI CC added - take2) | 1:53 |
| 18 | nord drum 3P <- Spiral Modified (MIDI CC added - take1) | 6:26 |
| 19 | nord drum 3P <- Spiral Modified | 1:41 |
| 20 | evolver <- redonda // auto cadence experiment 3 | 3:28 |
| 21 | evolver <- redonda // auto cadence experiment 2 | 9:39 |
| 22 | evolver <- redonda // auto cadence experiment | 7:29 |
| 23 | evolver <- redonda | 1:33 |
| 24 | { evolver <- Redonda prototype + (TOM CAT * MFC42)} * SP-404SX (no.2) | 4:58 |
| 25 | { evolver <- Redonda prototype + (TOM CAT * MFC42)} * SP-404SX | 3:07 |
| 26 | ( Evolver <- Redonda prototype + TOM CAT ) * SP-404SX | 3:40 |
| 27 | {(NordDrum3P.bankB.23 + evolver.bank4.70 ) <- Reaktor6.IHo8 } * MFC42 * SP-404SX | 1:19 |
| 28 | {(NordDrum3P.bankB.4 + evolver ) <- Reaktor6.IHo8 } * MFC42 * SP-404SX | 2:02 |
| 29 | ( NordDrum3P.bankB.38 <- Reaktor.IHo8 ) * MFC42 | 2:19 |
| 30 | ( NordDrum3P <- Reaktor.IHo8 ) * Ableton.effector | 4:25 |
| 31 | ( NordDrum3P.bankB.8 <- Reaktor.IHo8 ) * Live9.(effector) | 1:05 |
| 32 | ( NordDrum3P.bankA.33 <- Reaktor.IHo8 ) * Live9.MultibandDynamics | 1:12 |
| 33 | (Evolver <- Reaktor.spiral[windmill]) (no.2) | 3:40 |
| 34 | (Evolver <- Reaktor.spiral[windmill]) (no.1) | 3:41 |
| 35 | (NordDrum3P <- Reaktor.sequencer) + (evolver * GR-1) | 4:09 |
| 36 | SPV-355 <- (smartphone) * SP-404SX | 1:50 |
| 37 | ( voyager <- IHo8 ) + Reaktor.L3 //Add program change mechanism | 1:21 |
| 38 | ( evolver <- IHo8 ) + Reaktor.L3 //cut and paste editing | 2:18 |
| 39 | Reaktor.NWSCL <- IHo8.[X:13 Y:38, Z:66, 3b:u13457*2*(bx.g+, by.r+)] //manual operation | 3:19 |
| 40 | { evolver.bank1.55 + Reaktor } * _audioEffect.[WAVES, Ableton] | 1:13 |
| 41 | { SPV-355 <- CV.(SQ-1 * CP-251)} * KAOSS DJ | 4:30 |
| 42 | {( Voyager <- microKORG.arpeggiator ) *= AM8000R } * KAOSS DJ | 2:40 |
| 43 | KDsD-MyO.225,232 | 2:39 |
| 44 | ( KAOSS DJ.[serato DJ] <- MyOpus.[147, 228] ) * SP-404SX [ Star (old opus remix)] | 2:06 |
| 45 | KAOSS DJ.[serato DJ] <- MyOpus.[247, 274] | 2:53 |
| 46 | Matrix-1000 <- { Melodyne._toMidi(Beethoven: Piano Trio, Op. 11: Adagio) * Live._midiEffect) } | 2:46 |
| 47 | Voyager <- { CV.(SQ-1 * VX-352) + MIDI.microKORG._arpeggiator } | 2:59 |
| 48 | { Live.Electric <- Live.(_toMidi(BWV851) * _midiEffect)} *= (WAVES, Max for Live)._audioEffect (no.2) | 1:51 |
| 49 | { Live.Electric <- Live.(_toMidi(BWV851) * _midiEffect)} *= (WAVES, Max for Live)._audioEffect (no.1) | 2:35 |
| 50 | Live.Collision <- { Melodyne._toMidi(MyOpus.[323]) * Live._midiEffect } | 1:42 |
| 51 | Reaktor <- SP-404SX <- KAOSS DJ.[serato DJ] <- MyOpus (no.2) | 1:26 |
| 52 | SP-404SX <- KAOSS DJ.[serato DJ] <- MyOpus.[1, 188] | 1:20 |
| 53 | SP-404SX <- KAOSS DJ.[serato DJ] <- MyOpus.[238, 249] | 1:00 |
| 54 | SP-404SX <- ( matrix1000.[352] * SDD-320.[4] ) | 1:17 |
| 55 | Germination | 1:53 |
| 56 | beep space 2 | 2:51 |
| 57 | { SP-404SX <- KAOSS DJ.[serato DJ] <- MyOpus } * KAOSS DJ | 2:43 |
| 58 | SP-404SX <- KAOSS DJ.[serato DJ] <- MyOpus | 1:54 |
| 59 | KAOSS DJ <- MyOpus.2new | 2:04 |
| 60 | KAOSS DJ <- MyOpus.[old, new] | 1:18 |
| 61 | Experiments for the synthesizer sound (2) | 1:45 |
| 62 | Experiments for the synthesizer sound (1) | 1:33 |
| 63 | matrix-1000 * SDD320 + Voyager + DrumRack | 0:18 |
| 64 | SPV355 *= SR-900 (Bach BWV778) | 1:20 |
| 65 | VOICING ANTS (ver3) | 1:31 |
| 66 | Live9.simpler <- (sample) no2 | 1:11 |
| 67 | Live9.simpler <- (sample) | 0:32 |
| 68 | KAOSS DJ <- MyOpus (no.2) | 1:59 |
| 69 | KAOSS DJ <- MyOpus (no.1) | 1:30 |
| 70 | Voyager <- ( Live.Max for Live._sequencer + Launchpad._midiControl ) | 1:59 |
| 71 | ( Ableton.DrumRack <- Reaktor5 + CR-68 ) * (Reaktor5, WAVES GOLD)._audioEffect | 1:03 |
| 72 | A-H-O | 1:39 |
| 73 | ( Live9 <- TX81Z ) * Reaktor5 | 1:52 |
| 74 | practice (bpm148) | 2:42 |
| 75 | TX81Z * UE303B + Reaktor5 | 3:20 |
| 76 | commissioning | 1:26 |
| 77 | by-product | 1:05 |
| 78 | { ( Matrix-1000 + TX81Z) <- sequencer.Reaktor5 + sampler.Reaktor5 } *= Reaktor5 | 0:35 |
| 79 | micro alga (no.1) | 0:56 |
| 80 | micro alga (no.2) | 0:40 |
| 81 | micro alga (no.3) | 1:30 |
| 82 | good sleep | 1:45 |
| 83 | Xpander <- sequencer.Reaktor5 | 1:16 |
| 84 | { matrix-1000 <- MIDIeffect.(Live9, Max for Live) } * Reaktor5 | 2:40 |
| 85 | Voyager [Bach BWV1067 badineri] | 1:36 |
| 86 | Reaktor5 * AD-80 | 1:52 |
| 87 | BWV1067 upside down | 1:43 |
| 88 | music body | 3:16 |
| 89 | xpander <- { arpeggiator.microKORG * MIDIeffect.(Max for Live) } | 2:53 |
| 90 | OSCiLLOT * effect.Reaktor5 + Reaktor5 | 2:10 |
| 91 | ( voyager + DrumRack ) *= effect.(GOLD Native, other) | 1:43 |
| 92 | Reaktor5 <- (Max for Live).OSCiLLOT | 2:41 |
| 93 | (Max for Live).OSCiLLOT *= effect.(WAVES.MetaFlanger, Ableton.BeatRepeat) | 0:57 |
| 94 | Reaktor5 <- samples.(SPV-355, Matrix-1000) | 2:56 |
| 95 | information ocean | 4:35 |
| 96 | stealer | 2:09 |
| 97 | seabed sand | 1:48 |
| 98 | ( SVC-350 <- SPV-355 ) + ( Reaktor5 *= effect.GOLD Native ) | 2:26 |
| 99 | Reaktor5 *= effects.(Gold Native, Ableton) | 1:08 |
| 100 | Reaktor5 *= effects.(Gold Native, Ableton) No.2 | 0:30 |
| 101 | untitled | 4:00 |
| 102 | ESQ-M | 0:58 |
| 103 | biogenic | 2:53 |
| 104 | wheat field | 0:48 |
| 105 | xpander | 1:54 |
| 106 | Reaktor5 <- ( CR-68, SK-1 ) | 1:24 |
| 107 | SVC-350 *= GR-1 | 0:35 |
| 108 | texture | 4:19 |
| 109 | { TX81Z * Reaktor5 } *= effect.(Live9, Reaktor5, GOLD Native) | 2:45 |
| 110 | Return of Mr. raccoon dog | 4:45 |
| 111 | Reaktor5 <- (sample) + Ableton.DrumRack | 1:56 |
| 112 | luminecent creatures | 2:21 |
| 113 | temper | 2:03 |
| 114 | big wind , morning haze | 4:02 |
| 115 | predawn | 5:33 |
| 116 | { SPV-355 <- Voyager.( VX-351, CP-251 )} *= SR-900 + Ableton.DrumRack | 0:51 |
| 117 | gatekeeper 2 | 1:12 |
| 118 | ( VX600 * AM8000R ) + Ableton.(DrumRack * effect) | 1:48 |
| 119 | immanent carp | 4:19 |
| 120 | Ableton.electric *= ( DMD2000 <-( feedback loop: Max for Live ) ) | 1:48 |
| 121 | gatekeeper | 2:03 |
| 122 | TX81Z *= effect.(Max for Live, WAVES) + Ableton.DrumRack | 2:48 |
| 123 | rearing | 2:03 |
| 124 | pebble river | 2:44 |
| 125 | pebble 2 | 1:17 |
| 126 | pebble | 3:09 |
| 127 | SPV-355 <- Voyager.(VX351, CP-251) [De Lassus: Pulvis Et Umbra] (var.3) | 2:23 |
| 128 | { SPV-355 <- Voyager.(VX351, CP-251) } * AM8000R [De Lassus: Pulvis Et Umbra] (var.2) | 1:53 |
| 129 | { SPV-355 <- Voyager.(VX351, CP-251) } * AM8000R [De Lassus: Pulvis Et Umbra] (var.3) | 2:11 |
| 130 | ( VX600 *= WAVES.TrueVerb ) + ( Ableton.Sampler <- VX600 ) | 0:00 |
| 131 | ( matrix-1000 *= WAVES.TrueVerb ) + ( SPV-355 *= WAVES.Rverb ) | 2:03 |
| 132 | VX600 <- MIDIeffect.( Live8, Max for Live) (Bach - BWV814) | 1:07 |
| 133 | ( VX600 * AM8000R ) *= effect.(WAVES Gold, Live9) | 1:05 |
| 134 | VX600 <- MIDIeffect.( Live9, Max for Live) | 1:11 |
| 135 | voyager + DDD-5 | 1:32 |
| 136 | snow crystal | 1:30 |
| 137 | Matrix-1000 <- MIDIeffect.( Live8, Max for Live) | 2:48 |
| 138 | {( Xpander *= Max for Live ) *= effect.[WAVES] } + impluse <- ( DRP-1, ED10 ) | 0:59 |
| 139 | xpander + Voyager + ( impluse <- xpander ) | 1:11 |
| 140 | SPV-355 *= effect.(Max for Live, Super2Tap Delay, RVerb) | 1:20 |
| 141 | ( JUNO-60 + Voyager * 2 ) *= effect.(Ableton, Max for Live, WAVES) | 2:02 |
| 142 | ( SPV-355 <- Voyager.[ VX-351, CP-251 ] ) *= GR-1 | 3:31 |
| 143 | { ( Matrix-1000 * iMultiMix9R.EQ(H:0, L:-9) ) *= SDD3300 } + {( Reaktor5 * effect[Ableton, WAVES] )* SDD-320 } | 4:34 |
| 144 | ( S1000 <- microKORG.arpeggiator ) * MFC42 | 1:41 |
| 145 | 137 | 3:13 |
| 146 | ( VX600 *= DMD2000 ) + { XR10 * AM8000R * iMultiMix9R.EQ(H:2, L:9) } | 2:32 |
| 147 | refractor | 1:59 |
| 148 | Voyager *= WAVES.[ H-Delay, Rverb ] ( Bach - BWV1013 ) | 2:48 |
| 149 | {( S1000 <- ABSYNTH5 ) + CR-68 } *= effect( Ableton, Max for Live, GoldBundle ) | 2:36 |
| 150 | SPV-355 <- Voyager.[ VX-351, CP-251 ] + Live8 ( Bach - BWV846 ) | 1:55 |
| 151 | Electric Handstand Bach | 3:12 |
| 152 | Live8 *= effect.WAVES ( Bach - BWV1080 ) | 2:14 |
| 153 | snow, swan, tatenoyama | 2:14 |
| 154 | { SPV-355 <- Voyager.[ VX-351, CP-251 ] } *= SR-900 ( Bach - BWV814 no.6 ) | 2:03 |
| 155 | SPV-355 <- Voyager.[ VX-351, CP-251 ] + Live8 | 3:34 |
| 156 | ( Voyager + LIVE8 ) * ( effect [ LIVE8, WAVES ] ) | 2:31 |
| 157 | When electricity was cut off | 3:00 |
| 158 | ( VX600 + Voyager ) *= AM8000R ( Bach BWV847 ) | 3:44 |
| 159 | ESQ-M + SPV-355 + Matrix-1000 ( Bach BWV935 ) | 2:45 |
| 160 | ep test | 2:24 |
| 161 | { ( Voyager <- microKORG.arpeggiator ) *= AM8000R } + { ( Live8 <- CR-68 ) * WAVES.MaxxBass } *= (effect) | 3:24 |
| 162 | { Voyager <- ( VX-351 + VX-352 ) } *= GR-1 | 3:12 |
| 163 | SPV-355 <- ( Voyager +Voyager.VX-351 ) | 5:55 |
| 164 | SPV-355 <- Voyager.VX-351 <- microKORG.arpeggiator | 33:00 |
| 165 | ( Voyager <- microKORG.arpeggiator ) *= ( AM8000R + SR-900 ) | 2:35 |
| 166 | ( JUNO-60 <- PRO-DCB ) + { ( Ableton.DrumRack <- CR-68 ) * Ableton.(effects) } | 2:40 |
| 167 | AKAI VX600 (Faure - Sicilienne) | 2:36 |
| 168 | { ( Voyager / iMultiMix 9R ) *= AM8000R } + Live | 3:05 |
| 169 | { ( Strato de Luxe / FireWire410 ) * Ableton.[ Amp * Cabinet ] } + Ableton.DrumRack | 2:18 |
| 170 | AKAI VX600 (Bach - BWV140) | 6:08 |
| 171 | DX7 + Live | 2:07 |
| 172 | ( DX7 + Matrix-1000 ) * MFC42 | 2:28 |
| 173 | SPV-355 <- Voyager.VX-351 + { ( Live <- CR-68 ) *= Ableton.(effects) } | 2:02 |
| 174 | SPV-355 <- MOOG TX-351 ( Bach - BWV817 ) | 2:24 |
| 175 | ( Xpander *= AM8000R ) + { Reaktor *= ( Ableton.(effect) + VST.WAVES ) } | 1:37 |
| 176 | Live <- { SK-1 <- (sample) / iMultiMix 9R.EQ(H:10,L:0) } | 1:51 |
| 177 | Xpander *= DMD2000.FeedbackLoop <- MF-101 | 3:08 |
| 178 | Ensoniq ESQ-M (Bach - BWV815) | 2:27 |
| 179 | { Voyager <- ( VX-351 + VX-352 ) } <- microKORG.arpeggiator | 3:27 |
| 180 | Minimoog Voyager *= TEISCO SR-900 (Bach - BWV814) | 3:02 |
| 181 | REAKTOR * UE303B | 3:04 |
| 182 | { ( Reaktor 5 + Ableton Live 8 ) * KORG AM8000R } *= WAVES Reverb ( Bach - BWV817 no.5 ) | 1:37 |
| 183 | matrix-1000 * UE303B ( Bach - BWV814 no.3 ) | 1:58 |
| 184 | TX802 <- microKORG.arpeggiator / Firewire410 *= WAVES.Reverb | 3:12 |
| 185 | TX802 ( Schubert - Impromptu No.2 ) | 4:24 |
| 186 | Reaktor 5 + Live 8 | 1:28 |
| 187 | ( Matrix-1000 * MF-101 ) + Live8 | 1:23 |
| 188 | Voyager <- microKORG.arpeggiator | 3:08 |
| 189 | Live 8 + AM8000R ( Bach - BWV812 ) | 4:41 |
| 190 | Live 8 ( Bach - BWV578 ) | 3:24 |
| 191 | Voyager ( Bach - BWV 578 ) | 3:24 |
| 192 | Live 8 ( Bach - BWV645 ) | 3:48 |
| 193 | Live 8 ( Ravel - Pavane pour une Infante Defunte ) | 2:26 |
| 194 | Ableton.sampler + Ableton.analog + Ableton.DrumRack) | 3:52 |
| 195 | chords | 2:35 |
| 196 | clouds | 3:28 |
| 197 | Live <- Xpander / Firewire410 | 2:20 |
