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| 1 | SPV-355 <- (smartphone) * SP-404SX | 1:50 |
|---|---|---|
| 2 | SPV-355 <- CV.{(SQ-1 * CP-251) + (MF-101 * VX352)} + (DDD-5 * MF-101) //take2 | 4:14 |
| 3 | SPV-355 <- CV.{(SQ-1 * CP-251) + (MF-101 * VX352)} + (DDD-5 * MF-101) //take1 | 4:14 |
| 4 | { SPV-355 <- CV.(SQ-1 * CP-251) + DDD-5 } / KAOSS DJ | 3:06 |
| 5 | { SPV-355 <- CV.(SQ-1 * CP-251)} * KAOSS DJ | 4:30 |
| 6 | SPV-355 <- CV.(SQ-1 * CP-251) | 8:31 |
| 7 | beep space 2 | 2:51 |
| 8 | SPV355 *= SR-900 (Bach BWV778) | 1:20 |
| 9 | VOICING ANTS (ver3) | 1:31 |
| 10 | by-product | 1:05 |
| 11 | BWV1067 upside down | 1:43 |
| 12 | Reaktor5 <- samples.(SPV-355, Matrix-1000) | 2:56 |
| 13 | ( SVC-350 <- SPV-355 ) + ( Reaktor5 *= effect.GOLD Native ) | 2:26 |
| 14 | { SPV-355 <- Voyager.( VX-351, CP-251 )} *= SR-900 + Ableton.DrumRack | 0:51 |
| 15 | SPV-355 <- Voyager.(VX351, CP-251) [De Lassus: Pulvis Et Umbra] (var.3) | 2:23 |
| 16 | { SPV-355 <- Voyager.(VX351, CP-251) } * AM8000R [De Lassus: Pulvis Et Umbra] (var.2) | 1:53 |
| 17 | { SPV-355 <- Voyager.(VX351, CP-251) } * AM8000R [De Lassus: Pulvis Et Umbra] (var.3) | 2:11 |
| 18 | ( matrix-1000 *= WAVES.TrueVerb ) + ( SPV-355 *= WAVES.Rverb ) | 2:03 |
| 19 | SPV-355 *= effect.(Max for Live, Super2Tap Delay, RVerb) | 1:20 |
| 20 | ( SPV-355 <- Voyager.[ VX-351, CP-251 ] ) *= GR-1 | 3:31 |
| 21 | SPV-355 <- Voyager.[ VX-351, CP-251 ] + Live8 ( Bach - BWV846 ) | 1:55 |
| 22 | Electric Handstand Bach | 3:12 |
| 23 | { SPV-355 <- Voyager.[ VX-351, CP-251 ] } *= SR-900 ( Bach - BWV814 no.6 ) | 2:03 |
| 24 | SPV-355 <- Voyager.[ VX-351, CP-251 ] + Live8 | 3:34 |
| 25 | ESQ-M + SPV-355 + Matrix-1000 ( Bach BWV935 ) | 2:45 |
| 26 | SPV-355 <- ( Voyager +Voyager.VX-351 ) | 5:55 |
| 27 | SPV-355 <- Voyager.VX-351 <- microKORG.arpeggiator | 33:00 |
| 28 | SPV-355 <- Voyager.VX-351 + { ( Live <- CR-68 ) *= Ableton.(effects) } | 2:02 |
| 29 | SPV-355 <- MOOG TX-351 ( Bach - BWV817 ) | 2:24 |